Monday, August 27, 2012

MFA Flashback: Why Alaska?

The dry cabin I lived in my last year in Alaska

I get asked about Alaska pretty often, usually at least once a week. I still have my Alaska driver's license, so the tellers at the bank are always curious why I would move from Alaska to Alabama. And at interviews, Alaska features prominently on my resume. It makes for a fun introduction.

In high school I knew several people who had never left Alabama, never gone to the Gulf of Mexico to see the ocean, never even taken a trip up to Tennessee. And since I've been back I've met a few people who have their limits - they won't cross the Mississippi River or go up higher than the Carolinas. Not everyone in Alabama feels this way about travel, but it is pervasive enough that I get asked weekly, "Alaska! What made you leave Alabama to go all the way to Alaska?"

The simple answer is that I applied to a school in Alaska, and they accepted me and gave me a Teaching Assistantship.

The more complicated answer is that Alaska was as far away as I could get from Alabama and still be in the United States. It's not that I hate Alabama, it's just that there's so much world out there - and a great way to learn about a new place is to go to school there. This gives you a built-in community, something to do, and a source of income.

It might have been easier if I had gone to graduate school within the contiguous states, or as they say in Alaska, the Lower 48. I would have had a car to take with me, I could have visited my family more often, and I might have been able to attend the AWP conference while still in grad school, which would have been a great source of motivation.

But I would have missed out on birch trees, snow, outhouses, giant ravens, the enormous mechanical beasts that scrape the roads late at night, moose in my backyard, blueberries beside the cabin, driving through the Yukon on a spare tire while being chased by bears -

and meeting the kindest, most inclusive bunch of people I've ever known. Fairbanks was the first place that ever felt like home. Alaska has a way of trapping people's hearts, of pulling them back long after they've left. It's kind of a joke among people in Fairbanks. "We'll see you again," instead of good-bye.

Once you've been to Alaska, it's easy to understand how people can move there from far away and never leave. And how the people who do leave always carry Alaska with them, a string pulling them home.

Here's a short video I made of my first winter in Alaska for my family, way back in 2007. It isn't fancy, the video quality isn't HD, but I think it captures some of the feeling of being in Alaska for the first time, so I wanted to share.




First Winter in Alaska movie from Jenni Moody on Vimeo.




Friday, August 24, 2012

Short Story Reads:August 18-24, 2012

Furball with this week's short stories

"Tiny, Smiling Daddy"

Author: Mary Gaitskill
Publication: Because They Wanted To
Publication type: Short story collection, single author

Writing this good feels like magic.

Favorite lines:
"He felt helplessness move through his body the way a swimmer feels a large sea creature pass beneath him" (Gaitskill 13). 



"The Sound of a Room"

Author: Amanda Curtin
Publication: Inherited
Publication type: Short story collection, single author

I've been immensely enjoying this collection, but this is the story that cemented my love for Curtin's writing.

Favorite lines:
"He had succeeded in capturing the sound of the ordinary" (Curtin 59). 



"Omitted Excerpt"

Author: Alexander Weinstein
Publication: Fast Forward: The Mix Tape, 2010
Publication type: Flash fiction collection, multiple authors, eds. Forman, Morris & Stohlman

At first glance the conceit seemed too heavy to support any emotional weight, but midway through it started to sing to me.

Favorite lines:
"Regardless of my narrative status, I still believe I have potential to exist outside parenthesis" (Weinstein 9-11). 




"The Broken House of Nan-Jing"

Author: Matt Siegel
Publication: Fast Forward: The Mix Tape, 2010
Publication type: Flash fiction collection, multiple authors, eds. Forman, Morris & Stohlman

A whole novel in a flash story - excellent.

Favorite lines:
"When he was finished with his fourth draft and sitting on a growing pile of rejection letters, he asked the administration if he could read a chapter in the central quad, and they set up a podium twenty yards from a group of sorority girls selling raffle tickets for an all-expense paid trip to Cabo" (Siegel 12-13). 




"Standard Loneliness Package"

Author: Charles Yu
Publication: The Year's Best Science Fiction & Fantasy 2011
Publication type: Anthology, multiple authors, ed. Rich Horton

Beautifully written. Brilliant. Heartbreaking.

Favorite lines:
"In the end, we're all brains for hire" (Yu 146). 



*
I'm challenging myself to read five short stories each week. The stories can be from collections or magazines, online or print, novella or flash.

I'll post my short story reads for each week here on Friday, with a few notes about each story.

Have you read any short stories this week you'd like to recommend?

Monday, August 20, 2012

MFA Flashback: Comprehensive Exam

In addition to coursework, students in the MFA program at the University of Alaska Fairbanks must complete two tasks: compose a thesis and pass a comprehensive exam. 

What is this exam?
  • The exam is in February, and MFA students are expected to take it in their second year. It is a pass/ fail exam. If you fail, you can take the test again the following February. It is only held once a year and you must pass it in order to graduate. 
  • The test is composed of five questions that must each be answered with an essay. Students answer two questions in the morning session (9am - Noon) and three questions in the afternoon session (2pm - 5pm), all on a Saturday near the beginning of the Spring semester.
  • The exam itself is exhausting. The only book you are allowed to use is a dictionary. But you must reference (and quote if possible) several books in each essay response. 

At the end of the exam, upperclassmen were there with champagne and beer. There's no better feeling than finishing an exam you've been studying for for a year and having people who have been through the process before (and know how difficult it is) there to cheer your success.

But here's my story - I messed up with my comprehensive exam. I didn't plan for it. 

There are fifty books on the comprehensive exam reading list, and in order to pass, you need to read most (if not all) of them. Usually professors try to use at least one comp book as a text for their class, but this will only get you so far. Students must read a substantial number of books in addition to their class readings, and with most graduate literature courses requiring you to read one book per week, this can become an overwhelming task. 

The first year for a graduate student is tough. Graduate level workshops are like that scene in Centerstage; everybody was the best writer in their undergraduate workshops. But here, in the graduate workshop, you're a first-year. The first time your story gets workshopped at the graduate level is a serious wake up call. 

So after my first year of grad school, I was wiped out. (Did I mention we were living in the middle of Alaska with no car?) I was mentally and physically exhausted. That summer, I should have been reading for my comprehensive exam. But I couldn't bring myself to read or write. My brain felt fried, so I went into regeneration mode. I rode my bike to Creamer's Field to watch the sandhill cranes, developed an obsession with episodes of Mystery! and Globe Trekker that aired on public television.

I reasoned I'd study for comps during the winter break. I'd have nothing to do but read for a few weeks, and  the books would be fresh on my mind when it came time for the exam. 

Then we visited my family for the winter break, and time evaporated. As time drew near for the exam, I made a difficult decision - I decided not to take it in my 2nd year. If I took it while I was unprepared and failed, as I knew I would, then it would be much harder for me to take the exam when I was ready. 

I took the exam in my 3rd year and passed. The results of the test were given through individual letters from the chair of the department, placed in our grad mail boxes in the English office. I was on shift as a tutor in the Writing Center when word started going around that the letters had been delivered. There weren't any students waiting to be tutored, no appointments scheduled - I can't remember if I ran to the mailbox to get the letter or if my boyfriend picked it up for me. The letter was short, and without looking at it I can still remember one part: "in the end, I believe the most useful part of this process was the time you spent studying for the test."

Me with my comps pass letter, 2010
And this is absolutely true. 

When I realized I wouldn't be able to take the test on time, I got serious about studying for the next opportunity. The students in my year had formed a weekly study group, but I dropped out after a few sessions because I couldn't keep up with the reading and I was embarrassed. 

Luckily, there were several fiction writers in the year below me who were up for the exams. We started meeting every Sunday at Alaska Coffee Roasting Company. We made a schedule of books to discuss and designated a discussion leader for each text.

I wish I had a photograph of the four of us studying for the exams. The coffeehouse was always crowded and noisy. There was never enough table space for our coffees, sandwiches, piles of books, the binders of notes we were compiling. Our screenwriting professor, Len Kammerling, was sometimes there with a different group, and he'd wave to us and stop and chat. Often I would spot David Marusek, the science fiction writer, with his laptop. I never worked up the courage to go over and say hi. There were impassioned conversations about Melville, talks that helped me better understand my mixed feelings for The House of Mirth, and gradually there was a comprehension of knowing the texts much better than I could have if I had studied for the test on my own. 

I'm glad I didn't try to take the test my 2nd year, when I had not studied. My comps study group was one of the best learning environments I experienced during graduate school. And this experience converted me from a student who detested group projects, to a teacher who believed in their ability to inform texts and conversations on literature in a way that other modes of learning cannot. 

*

If you're curious as to the 50 books I read for my comprehensive exam, here's the 2012-2013 list. It changes a little every two years, some books are added and others dropped, but the scope and the spirit are pretty much the same. 

Friday, August 17, 2012

Short Story Reads: August 11-17, 2012


"On the Uses of the Dead to the Living"

Author: Amanda Curtin
Publication: Inherited
Publication type: Short story collection, single author

Favorite lines:
"Imagine that it's 1860, it's a beautiful stately home in the country, it's a carriageway lined with poplars and elms and departed family members, twice varnished for maximum weatherproofing. A professor of phrenology is balancing on a ladder, probing the preserved heads of ancestors, taking measurements and notes and recording data for explication of the family line, making predictions about its future, your future. You are a Victorian. You don't know what to believe" (Curtin 41).


"Hamburger Moon"

Author: Amanda Curtin
Publication: Inherited
Publication type: Short story collection, single author

Favorite lines:
"Resisting the desire to be the star of the group, the one with the most bizarre deviancies, has been difficult, for she craves the ambrosia of specialness, but she has learned new ways for old addictions" (Curtin 47). 



"Shakedown"

2012 Tusculum Review Fiction Prize Winner

Author: Elizabeth Gonzalez
Publication: The Tusculum Review, Vol. 8. 2012
Publication type: Literary Journal, Print edition

Favorite lines:
"It's not the size of the task, that would be one thing -- it's because there's something in the assembled train that wasn't on the floor with the parts. It's like holding up a jacket and a pair of arms sliding in and a live person walking away -- he, the jacket holder, is astonished every time" (Gonzalez 45). 



"Post-Industrial Love"

Author: Alexander Weinstein
Publication: Fast Forward: The Mix Tape
Publication type: Flash fiction collection, multiple authors, eds. Forman, Morris & Stohlman

Favorite lines:
"There's something frightening, almost criminal, about appearing in public with a hanger. A wooden coat rack, on the other hand, carries an air of respectability" (Weinstein 2). 



"Crossing the Border"

Author: Ian Hunter
Publication: Fast Forward: The Mix Tape
Publication type: Flash fiction collection, multiple authors, eds. Forman, Morris & Stohlman

Favorite lines:
"Licking my lips, I pressed on the accelerator, taking us down the road towards another of those 90 degree turns, while brightly coloured hotels and houses appeared on either side of us, like the blooming of strange flowers" (Hunter 6-7). 




*
I'm challenging myself to read five short stories each week. The stories can be from collections or magazines, online or print, novella or flash.

I'll post my short story reads for each week here on Friday, with a few notes about each story.

Have you read any short stories this week you'd like to recommend?

Monday, August 13, 2012

Post-MFA: The Job Hunt

Back in May, a few weeks after I defended my graduate thesis, I wrote a blog post about my deciding whether to try to find a job teaching or as an administrative assistant.

High on the success of finishing the last requirement for my degree, I felt sure that now I would have a chance at finding a job that challenged me intellectually and supported me financially. I might even be one of those people who could tell others "I love my job." I daydreamed about proudly updating my LinkedIn profile with "teaches at such and such community college" or "executive assistant at awesome non-profit."

Three months later, I realize how naive I was.

Here are a few things I've learned so far.

Your MFA Does Not Qualify You to Be An Administrative Assistant

It seems I'm not alone in my misconception that a Masters in an English field should make me an ideal candidate for an administrative assistant position. NPR recently published an article about a graduate with a Masters in English. He works as an adjunct, but is also searching for a full-time job as an office assistant. Frustrated with his job search, he decided to create his own Craigslist ad for a pretend job to see what his competition was like.

What he discovered was that most of the applicants had much more experience as an administrative assistant than he did - even as much as ten years.

I took for granted that my graduate degree in writing would show employers that I can proofread like nobody's business, that my official correspondence would win over grants and clients, that I'd be able to analyze customer service situations and form concise, specific responses that would clear all paths of conflict.

But being an administrative assistant is not just about writing. There's infinitely more to the job than that, and employers know it. They want someone who has experience with office-specific software (and I'm not talking about Microsoft Office), can handle a multi-line phone, and who knows how to work within the flow of an office setting.

I worked for a year as an office assistant before heading to graduate school, but that one year of experience is nothing. The only job I might be able to find as an administrative assistant would be an entry-level position, a $25,000 salary if I'm lucky. The competition for these is steep. And once the employer notices I've got a master's degree and have taught at the college level I'm done for. Why hire someone who will probably just leave in a year or two to go back into teaching or on for more school when there are hundreds of applicants who would stay put?

I interviewed for a receptionist position last week that paid $9 an hour. They told me I was hideously over-qualified and never called me back.

If You Want to Adjunct, Your Transcript Had Better Be Conferred

It is mid-August, and I've given up hope of being able to adjunct this semester. Classes in Alabama start on August 20th, and my degree will not be conferred until August 22nd.

The date of graduation all depends on when you defend your thesis. In order to have a spring graduation, you have to defend your thesis in March. I needed a few extra months to work on my thesis, and defended it in May. Due to a technicality, you have to be enrolled in 3 credit hours in the semester in which you defend. So, I had to register for 3 thesis hours during the summer semester. I only recently realized that the summer semester does not end until mid-August, and that the graduate school would not confer my degree until after the summer semester had ended.

I've applied to 23 teaching positions this summer, and I've only been interviewed for two of them. Most of the colleges sent me rejection letters right away, stating that I did not meet the minimum qualifications because I was "still taking classes."

I've sent colleges my degree audit, an explanation of the technicalities that are keeping my degree from being conferred, but the colleges are immovable on this point. Your graduate transcript must say "degree conferred" before they will consider you for an adjunct or full-time position.

Of the two teaching jobs I have interviewed for, I only felt that I actually had a chance at getting one of them. This interview - the "you were in our top 3" interview - I lost out on partially because I hadn't taught creative writing classes as the primary instructor.

The other interview took place at a rural community college, where I watched five other people interviewed during the two hours I was there, and they had an additional full day of interviews lined up. One man who had just been interviewed approached me in the parking lot and said "I'd wish you good luck, but I want this job." I'm not sure why this particular community college did not mind that my degree was not conferred - maybe they didn't notice until after the interviews, maybe they had to make a quota of so many applicants interviewed - but in the end I received the same result as all of my other job rejections: a form letter in the mail.

Some of the rejection letters have the name of the person hired for the job, and when I Google these people they have 30+ years of teaching experience, PhDs, book publications - all this for a job at a community college whose starting pay is $30,000. How can I even begin to compete?

This Degree is for Me

I loved getting my MFA. Nothing could have helped me grow so much as a writer other than going to graduate school for three years and focusing on reading, writing, teaching. I would do it again in a heartbeat.

But I'm seriously considering leaving my MFA off of my resume and applying to minimum-wage jobs. They won't build my career, I won't proudly announce them to friends and family, but I must find a way to make money very very soon.

When I set off for Alaska and my graduate degree, I thought I was leaving behind my days in an office. I thought there was a better life on the other side of the MFA. But mostly, there's just been the feeling of discontent. Of knowing I have so much enthusiasm for teaching and writing that is useless out in the real world.

Resources & Strategies

I may have dug my own grave with a summer graduation, but if you're a recent MFA graduate or an MFA hopeful, I wish you more luck. Here are some resources and strategies that have been passed on to me from other writers and MFA grads.

Connect with your local community colleges


  • Find your state Community College System website (Alabama's is here). This website will post new job openings, and some states have a very helpful online submission system. 
  • Email local community colleges with your information, or follow their guidelines for submitting an adjunct package. Then wait. Schools may not hire until a few weeks before the term begins. (Thanks to Ashley Cowger for this advice!)
  • Look at the Adjunct Project to see adjunct rates for schools in your area

Check national databases for university positions

University jobs are a little harder to keep track of than community college ones. I've found the job boards at universities to be updated less frequently and for English jobs to be buried by unhelpful search criteria. These national databases have the option of searching for local positions, and are updated regularly. 

  • AWP's job board - The best job board. If schools post a job anywhere, they usually post it here. Use it as much as you can while you still have your membership from being an MFA student
  • Poets & Writers - not as many useful job hits, but still worth checking out. 
  • Higher Ed Jobs - an excellent search system. The advanced search lets you weed out online-only colleges and you can specify the geographical and subject area. 
  • Academic Jobs Wiki - Wonderful interactive wiki about creative writing faculty positions. People who apply update the wiki letting you know when the position has been filled, whether the school is doing interviews, etc. There's a separate page for literature faculty positions, and the wiki has a new page for positions each year, so it is easy to keep track of which positions are open. 

Look at jobs that aren't exactly teaching positions

While searching for English instructor and adjunct positions, I've come across a few job openings that aren't exactly teaching, but that seem to view teaching as a worthy credential. These usually have to do with working with high school or college students to plan their careers. The benefits of this type of job are clear: steady work hours with no take home work, steady pay throughout the summer, and a guaranteed level of income that is consistent from semester to semester. If you want to apply to these jobs, I recommend brushing up on your PowerPoint and presentation skills. So far, these types of positions are my most optimistic chance of employment. They aren't exactly teaching, but they might be a really good middle ground.

Consider teaching abroad

Teaching positions in countries like Japan or South Korea usually pay really well and can offer an opportunity to nourish your creative soul by visiting a new place. The application process can be lengthy and you may have to travel to a major US city for an in-person interview. But if you feel like you absolutely must teach and cannot find a position in the US, then there are many opportunities in other countries to teach ESL.

Monday, August 6, 2012

Shadows on Mars

Curiosity's shadow on the surface of Mars
Last night I stayed up to watch Curiosity land on Mars. I celebrated with my friends online, cheering at the achievement and the future of space exploration.

It was amazing to watch the details come in slowly. First the celebration of the descent and landing, then the first photographs sent back to Earth. I was alone at home, but I felt connected to the entire world. And even though I had nothing to do with the mission, I felt the residue of hope rub off a bit.

I think of all of the years it took for the scientists to pull off this incredibly difficult mission, and how worthwhile it was not just for them, but for everyone who experienced the landing. And the project is not over - Curiosity's just beginning to explore, to send back new information about the history of life on Mars.

Great works of art feel like shadows on Mars to me. I can instantly appreciate their arrival, with a vague notion of how difficult the years to the destination must have been. There were probably lots of tiny alterations that wound up making a major difference. And I have a secret suspicion there is some terrifically hard math involved.

One of the scientists mentioned that President Obama issued a challenge for people to journey to Mars by the 2030s. If this happens within the suggested time frame, I'll be in my fifties when people first set foot on Mars. And of course I want it to happen much more quickly. I want tours to Mars starting yesterday.

But I know that getting there at all is an immense achievement. And landing there safely enough to be able to record the cast of your own shadow takes years of working, fine-tuning, and collaboration.

Now all I need is a source of funding.